In the course of their conversation, Strobel’s priest-archeologist interlocutor showed the skeptical journalist a reproduction of the Shroud of Turin, purported to be the burial cloth of Jesus. Gazing into the eyes of the image, Strobel asked, “What would have made him go through all of this?” The priest responded, “That’s easy: love.” As the arguments were jostling in his head, Strobel remembered that image and that explanation – and the filmmakers insinuate that this is what finally pushed him over into belief.

The Case for Christ is interesting for any number of reasons, but I think it is particularly compelling for its subtle portrayal of the psychological, spiritual, and intellectual dynamics of evangelization.

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