The following are capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of July 26, as well as notes on TV programming for the same week. Televised films may or may not be edited for language, nudity, violence and sexual situations while the programs listed have not been reviewed and therefore are not necessarily recommended by OSV News.

Why be satisfied with an animated success when a live-action re-working of the same tale might also be a hit at the box office? That’s a question that seems to be on the minds of the folks at the Mouse House these days, and so, after several other examples in recent years, we get the musical adventure “Moana” (Disney).

The following are capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of July 19, as well as notes on TV programming for the same week.

Francisco Bocel remembers the night three assassins forced him to bring them to Father Stanley Rother. Bocel shared how he still carries that traumatic moment with him — one of many being featured — in an upcoming documentary on the life of the slain priest.

Set primarily in the Hollywood of the 1920s, the delightful animated comedy “Minions & Monsters” (Universal) is at once director and co-writer Pierre Coffin’s paean to and satire of early Tinseltown.

The following are capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of July 12, as well as notes on TV programming for the same week.

At what is meant to be a poignant moment in the DC Comics adaptation “Supergirl” (Warner Bros.), the title character, played by Milly Alcock, is told by her mother (Emily Beecham) that she doesn’t have to be nice but she must be good. The recipient of this advice takes it to heart in a way that lends the whole film an unpleasant tone.

A deservedly much-loved animated series gets a touching extension with the arrival of “Toy Story 5” (Disney). The franchise’s hallmark combination of sunny humor and emotional intelligence continues to make for outstanding entertainment, this time under the direction of co-writer Andrew Stanton.

The truth is out there, and director Steven Spielberg ultimately intends to tell you all about it with his grandiose, vaguely paranoid fantasy “Disclosure Day” (Universal).

A torrent of degraded sexual jokes overwhelms the few successful one-liners in “Scary Movie” (Paramount), a slipshod send-up of recent horror films and various other aspects of pop culture.