John Mulderig

A powerful performance from James McAvoy drives the hard-edged psychological thriller “Speak No Evil” (Universal).

Oh, those creepy Christians! Such is the underlying sentiment discernible through most of the running time of the psychological horror film “The Front Room” (A24).

Although Christian faith is front and center in the screen biography “Reagan” (Showbiz Direct), the film’s noticeable lack of subtlety undermines its overall potential impact.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Decadence turns dangerous in the dark psychological thriller “Blink Twice” (Amazon MGM). As it does so, actress Zoë Kravitz’s directorial debut, which she penned together with E.T. Feigenbaum, crosses the boundaries of the ethically acceptable, especially by seeking to evoke moviegoers’ most visceral emotions.

The sober drama “It Ends With Us” (Columbia) takes on the grim problem of spousal abuse. While the film has its lighter moments, it also has defects that lessen its impact and moves toward a conclusion that requires careful assessment from a Catholic perspective.

Writer-director M. Night Shyamalan can be credited with a certain degree of originality in the crafting of his thriller “Trap.”