The nearly 1,000 songs Dolly Parton recorded during her long career covered a wide range of topics. She not only dealt with the humiliation of poverty, harassment in a dead-end job and romantic rivalry, she also felt at home with such explicitly Christian numbers as 1989’s “He’s Alive” and “There Was Jesus,” released 30 years later.

It will mark the first time the bluegrass/folk band, made up entirely of Dominican friars, performs in Baltimore. Among their featured songs will be “New City,” which has a reference to the city, Father Bolger said. 

Francisco Bocel remembers the night three assassins forced him to bring them to Father Stanley Rother. Bocel shared how he still carries that traumatic moment with him — one of many being featured — in an upcoming documentary on the life of the slain priest.

He was once a rising concert pianist, performing for audiences around the world – until he answered a call he could not ignore. George Matysek speaks with Sulpician Father Paul Maillet about his journey from the concert stage to the priesthood.

Visitors to the Basilica de la Sagrada Familia in Barcelona, Spain, don’t even have to go inside the basilica to be inspired. The exterior of the basilica itself is a “Bible in stone in the facades,” according to Mauricio Cortés Sierra, the lead architect for the basilica’s Tower of Christ that was completed earlier this year.

Modern cultural influences, including technology and shifting views on identity, risk weakening human relationships and spiritual development, said Cardinal Arthur Roche, the prefect of the Dicastery for Divine Worship and the Discipline of the Sacraments.

It won’t be anything like the carnivorous alien plant that crooned Motown in “Little Shop of Horrors,” but an upcoming concert at St. Louis in Clarksville promises something almost as unusual: music made with the help of plants.

In this Earth Day-themed episode of Catholic Review Radio, host George Matysek explores how faith can inspire care for creation through the perspectives of two guests.

In spare black-and-white lines – almost graffiti-like in their directness – Matisse grouped all 14 Stations together in an expansive mural more than six feet tall.

A major new artwork dedicated to the victims of spiritual and sexual abuse in the church is to be displayed at locations where disgraced priest artist Father Marko Rupnik’s mosaics are still exhibited.