John Mulderig

Oregon, it can safely be said, features some of North America’s most scenic landscapes. In the tense, hard-edged horror film “Wolf Man,” however, the Beaver State’s natural beauty is contrasted with occult ugliness in a manner that only the sturdiest fans of the genre may find palatable.

Film buffs will easily recognize that the atmospheric horror yarn “Nosferatu” (Focus) is both a variation on and an homage to the eponymous 1922 silent genre classic helmed by F. W. Murnau. Unlike that foundational film, however, the newcomer is both artistically flawed and, ultimately, morally unbridled.

As narrated by Rafiki (voice of John Kani), a wise mandrill, the story looks back to the youthful bond between two princely lions, Mufasa (voice of Aaron Pierre) and Taka (voice of Kelvin Harrison Jr.).

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

As strained as it is bloodsoaked and morally wayward, the would-be action adventure “Kraven the Hunter” (Columbia) is a hopeless dud. On the upside, moviegoers misguided enough to patronize the film will likely be too bored to be much corrupted by it.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The life of the Blessed Mother, from before her birth to the flight into Egypt, is recounted with varying levels of artistic adeptness in the uneven biography “Mary” (Netflix). Though the result is not always satisfying, the production overall is both reverent and engaging.