John Mulderig

Rage is the predominant emotion in “The Running Man” (Paramount), the second screen version of Stephen King’s eponymous 1982 novel. As directed and co-written by Edgar Wright, it’s an anger-fuelled action film that’s bitter in mood as well as morally ambivalent.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

With a grunting, barbaric alien for its protagonist, the sci-fi action film “Predator: Badlands” (20th Century) gets off to an unpromising start. Yet by the end of the movie, the brute in question — Dek by name and played by Dimitrius Schuster-Koloamatangi — has experienced a conversion to better values.

As the historical drama “Nuremberg” (Sony Pictures Classics) successfully reminds its audience, the trials held in the titular German city in the aftermath of World War II almost didn’t happen. What takes place in the uncertain lead-up to them kicks off the film’s action.

As anyone who saw director Yorgos Lanthimos’ 2023 fantasy “Poor Things” will be aware, the Greek-born filmmaker is capable of bringing deep weirdness to the screen. If further evidence of his capacity in that regard was needed, it’s provided in abundance by his latest offering, “Bugonia” (Focus).

Part teen romance, part emotionally convoluted soap opera, “Regretting You” (Paramount), director Josh Boone’s screen version of Colleen Hoover’s 2019 novel, is ill-suited to the youthful audience at which its source material was aimed. As for mature viewers, they’re likely to find the film’s proceedings both inauthentic and pat.

Despite the occasional push-back against political correctness in Nora Garrett’s script, viewers committed to traditional values will find themselves adrift in director Luca Guadagnino’s psychological thriller “After the Hunt” (Amazon MGM). Considered from an artistic point of view, moreover, the film is talky, pretentious and tiresome.

A surprisingly substantive film, “Springsteen: Deliver Me from Nowhere” (20th Century) is more a psychological study than a musical biography. As such, it invites those older viewers for whom it’s appropriate to engage with its sometimes troubling story intellectually and emotionally rather than be passively entertained.