Movie & Television Reviews

Catholic viewers will naturally be interested in a TV show that features a nun as one of its principal characters. In the case of “Grotesquerie,” however, they’ll tune in, to use an obsolete term, only to be turned off — both by a welter of gore and by a treatment of the church that degenerates from mere ignorance to outright hostility.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

A serious, even lugubrious, tone and a top-flight cast add heft to the ecclesiastical melodrama “Conclave” (Focus). Yet the film is fundamentally a power-struggle potboiler kept roiling by attention-grabbing plot developments — the last and most significant of which Catholic viewers will likely find uncomfortable at best.

As scripted by Mark Bomback, “White Bird” effectively tugs at the heart by showcasing altruistic heroism in the face of dire evil.

The insensate botch of “Megalopolis” (Lionsgate) is structured like a fable, pitting the self-doubt and moral descent of a tortured modern-day architect against the debauchery of ancient Rome.

Cast aside any concerns about the dangers of artificial intelligence — “The Wild Robot” (Dreamworks) has arrived, a Mary Poppins bot ready to chase your cares away in this warm and fuzzy animated adaptation of the bestselling children’s book by Peter Brown.