Movie & Television Reviews

“28 Years Later: The Bone Temple” (Sony) is the fourth installment in a splatter-stained franchise centered on zombies that reaches back to 2002. Not only does the film maintain its predecessors’ tradition of bloodletting, it also features a devil worshipping theme and abundant instances of gratuitous nudity.

As its title suggests, the survival drama “Greenland 2: Migration” (Lionsgate) sets the three main characters featured in its 2020 predecessor on another journey. Unfortunately, their odyssey through ruined cities and a war zone is far less interesting than their earlier expedition and eventually turns into a dull slog for viewers.

In the opening sequence of the horror film “Primate” (Paramount), a minor character has one of his eyes gouged out and his entire face ripped off his skull. That moment, unfortunately, typifies the excessive gore that mars this otherwise taut and cleverly tense chiller, preventing endorsement of it for any age group.

Considered from an artistic point of view, “Marty Supreme” (A24), a loosely fact-based mix of drama and comedy, is an undeniably accomplished film. Approached from a moral standpoint, however, its narrative turns out to be both unsettling and, ultimately, unacceptable.

To mark the 25th anniversary of the release of the first film in director Peter Jackson’s trilogy “The Lord of the Rings,” Fathom Entertainment will be screening all three movies in the series this month.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

As a mystery in which no one is who they appear to be, the psychological horror film “The Housemaid” (Lionsgate) has a lot of entertaining suspense to offer viewers. Yet the movie is also a gory revenge fantasy that dabbles in grotesquery and sadistic behavior, thus severely circumscribing its appropriate audience.