– A warmhearted profile of a pioneering Indigenous American sports figure is provided in filmmakers Jonathan Cipiti and Megan Harrington’s documentary “Native Ball: Legacy of a Trailblazer.”

A child-abduction theme lends a dark undertone to the turbid horror film “Five Nights at Freddy’s.”

Like its classic source, “Lies of P” encourages players to ponder what it means to be human as well as the ethical status of deception.

Catholic Review Editor Christopher Gunty talked with the actress and writer Siobhan Fallon Hogan, a Catholic who has woven images from her faith into the film, about the need for hope in times of crisis.

Pope Francis praised actor and comedian Whoopi Goldberg for helping people laugh and feel joy, telling her, “You are very important.”

Emotional ambiguity pervades the dramatization “Killers of the Flower Moon” (Paramount/Apple TV+). Epic yet intimate, director and co-writer Martin Scorsese’s masterful recounting of real-life events in 1920s Oklahoma is too gritty for kids, but deeply rewarding for grown-ups and possibly acceptable for older teens.

In a world of ultra-raunchy rap and the obscenity-laden lyrics often found even outside that genre, Taylor Swift shows considerable moderation.

Small-time retail investors take on some of the titans of Wall Street in the wry fact-based blend of comedy and drama “Dumb Money” (Sony). Although the David vs. Goliath aspect of director Craig Gillespie’s film is appealing, the relentless vulgarity of its dialogue gives his retrospective a hard edge and renders it acceptable for few.

First-person shooter games don’t often involve fantasy. But the visually pleasing “Immortals of Aveum” (Electronic Arts) — which also boasts a talented voice cast and quickly paced action — combines these elements to good effect.

Although the horror sequel “The Exorcist: Believer” (Universal) gets off to a reasonably promising start, it degenerates quickly. It ends up being a muddle both dramatically and, more significantly, in its treatment of religion.