Movie Review: ‘Avatar: Fire and Ash’

NEW YORK (OSV News) – “Avatar: Fire and Ash” (20th Century), the third film in the always visually rich franchise that got its start in 2009, brings forward thematic elements that had previously been kept in the background and that viewers of faith will find it impossible to accept and difficult to dismiss. As a result, it requires careful evaluation by mature movie fans.

Against the recurring background of the fictional moon Pandora, the saga of the family whose fortunes were chronicled in the earlier chapters continues. The clan consists of dad Jake Sully (Sam Worthington) and his wife Neytiri (Zoe Saldaña) as well as their three surviving children, teens Lo’ak (Britain Dalton) and Kiri (Sigourney Weaver) and tyke Tuk (Trinity Jo-Li Bliss).

Rounding out the household is Jake and Neytiri’s adolescent adopted son, Spider (Jack Champion).

As veterans of the earlier outings will know, Jake was originally a human and a Marine. But, via an avatar, he eventually embraced the identity of Neytiri’s Pandoran tribe, the Na’vi. While their biological kids are to all appearances Na’vi — a towering race with blue skins and tails — Spider is human and requires a breathing mask to survive on Pandora.

Lo’ak is guilt-ridden over his role in the death of his older brother, Neteyam (Jamie Flatters), and wants to redeem himself by proving his worth as a warrior. Kiri is frustrated that, despite her evident spiritual gifts, she’s unable to connect with Eywa, the mother goddess the Na’vi worship.

For his part, Jake is worried about Spider’s future — Neteyam’s death has left the still-grieving Neytiri with a hatred of the “Sky people,” as Earthlings are known on Pandora. He also has to contend with the ongoing threat posed by his potentially deadly rivalry with his former Marine comrade, Col. Miles Quaritch (Stephen Lang), who is also Spider’s estranged father.

As if all that weren’t enough, a further challenge arises when the Metkayina, the sea-oriented Pandorans with whom Jake et al. have taken refuge, are attacked by the fierce fire-centric Mangkwan, led by Varang (Oona Chaplin), a malevolent sorceress. A three hour-plus running time is required to tie up these varied strands.

Along the way, the religion adhered to by the main characters becomes more prominent than in previous installments. Thus Eywa is both present on screen and active in the plot. Additionally, Kiri is revealed to have been the product of a virginal conception.

Director and co-writer (with Rick Jaffa and Amanda Silver) James Cameron’s extension of his blockbuster series, accordingly, not only includes material uncomfortable at best for Christians but also seems incongruent, overall, with monotheistic belief. Even well-catechized grown-ups, therefore, should approach this sprawling addition to Cameron’s epic with caution.

The film contains nonscriptural beliefs and practices, constant stylized but often intense combat violence with brief gore, scenes of torture, narcotics use, partial nudity, a couple of mild oaths, at least one rough term, numerous crude and a handful of crass expressions and an obscene gesture. The OSV News classification is L — limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

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