Take “Peter Pan,” add a dash of “Alice in Wonderland,” stir in the poetry of William Butler Yeats and you have the recipe for “Come Away” (Relativity), an intriguing if slightly schizophrenic fairy tale.

The latest big-screen adaptation of London’s semi-autobiographical tale — an Italian-language film with English subtitles — offers a refreshing new take on the rags-to-riches saga.

If the monster movie “Come Play” (Focus) is only reasonably effective in frightening its audience, it is at least refreshingly free of objectionable material, including gore.

Logical flaws make this drama’s plot difficult to embrace, or even comprehend. Some dialogue expressing the inner lives of the characters would have been a great help.

Aaron Sorkin skillfully evokes the tensions of a troubled era that has unfortunate parallels to our own unsettled times.

Paragas has constructed a kind and ethical world, sanding away the unpleasant realities of political contention, overt racism and the threat of sexual predation.

The moving documentary “Pray: The Story of Patrick Peyton” (ArtAffects) lucidly chronicles its subject’s life and feels imbued with his warm and fervent spirit.

Far-fetched and ham-fisted, the grim fantasy “Antebellum” (Lionsgate) is marked by an outlook on timely racial issues that lacks both balance and a humane spirit.

In dealing with religious conflict in Iran, it stereotypes Muslims as having beaky noses, scowling constantly and being prone to wishing, and committing, violence on those who disrespect Islam.

The film is sprawling and picturesque. And, as scripted by Rick Jaffa, Amanda Silver, Lauren Hynek and Elizabeth Martin, it salutes courage, solidarity and devotion to family while also showcasing the conversion of one of its villains.