John Mulderig

In adapting Hernández’s memoir “Reaching for the Stars,” Abella traces his remarkable journey from child migrant farm worker to NASA engineer and candidate for a place on the space shuttle.

“A Haunting in Venice” (20th Century) is the third in a series of Agatha Christie adaptations, all featuring her famed sleuth Hercule Poirot, on which director and star Kenneth Branagh has collaborated with screenwriter Michael Green.

The tale of Texan Rickey Hill’s against-the-odds struggle to become a major league baseball player should, potentially, make for an engaging film.

The latest such gambit vulgarly ventriloquizes dogs and results in the mangy comedy “Strays.”

The Last Voyage of the Demeter registers as competent but uneven, with its evident artistic intent barely justifying the quarts of blood spilt as its plot unfolds.

Seafood goes bad, very bad, very quickly. So, too, does the dead fish-scented sequel “Meg 2: The Trench” (Warner Bros.)

Those who enter “Haunted Mansion” (Disney) in search of laughs will likely come away from it more satisfied than those who go in seeking eerie chills.

Life in plastic may be fantastic but the tedious ideology-driven comedy “Barbie” (Warner Bros.) is not. Although genuinely objectionable elements are relatively few, moreover, this is distinctly not a movie for the age group to which the figurine of the title is primarily marketed.