John Mulderig

With “Wicked: For Good” (Universal), director Jon M. Chu concludes his two-part adaptation of Stephen Schwartz’s hit Broadway musical in the same luxuriant style with which he began it in 2024. Like its predecessor, moreover, the film is mostly free of objectionable content.

It’s hard to imagine the pitch session at which the premise of the would-be psychological thriller “The Carpenter’s Son” (Magnolia) was presented for approval. “Drawing on a 2nd-century apocryphal text,” the summary might have run, “why don’t we turn Jesus’ teenage years into the basis for a horror film?”

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

As the historical drama “Nuremberg” (Sony Pictures Classics) successfully reminds its audience, the trials held in the titular German city in the aftermath of World War II almost didn’t happen. What takes place in the uncertain lead-up to them kicks off the film’s action.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Part teen romance, part emotionally convoluted soap opera, “Regretting You” (Paramount), director Josh Boone’s screen version of Colleen Hoover’s 2019 novel, is ill-suited to the youthful audience at which its source material was aimed. As for mature viewers, they’re likely to find the film’s proceedings both inauthentic and pat.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.