John Mulderig

For most of its running time, the intermittently amusing comedy “The Naked Gun” (Paramount), a sendup of the hardboiled cop genre, qualifies as a fun spoof that’s appropriate for most grown-ups. Yet its one sequence of utterly tasteless sexual sight gags will leave discerning viewers anything but entertained.

Now joined by co-director J.P. Sans, Perifel has crafted an equally enjoyable follow-up, “The Bad Guys 2” (Universal). While this second installment continues the ensemble’s conversion story, the script — on which the first movie’s writer, Etan Cohen, collaborated with Yoni Brenner — also includes enough potty-centric material to annoy at least some parents.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

With “Smurfs,” a blend of animation and live action, director Chris Miller has given the titular blue elves, Belgian cartoonist Peyo’s trademark creatures, a big-screen reboot. Although his would-be fresh start promotes positive values and is mostly free of problematic material, it’s also numbingly uninteresting.

Adult viewers willing to grapple with harsh material will find that the well-crafted but bleak dark comedy “Eddington” (A24) inspires some uneasy laughs. Those in search of light entertainment, by contrast, should definitely look elsewhere.

In the spring of 1938, when the figure of Superman made his first appearance in the pages of DC’s “Action Comics #1,” President Franklin Roosevelt’s efforts to combat the Great Depression via the New Deal were at their height. There had as yet been only one world war and Lou Gehrig was still playing for the New York Yankees.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.