Movie & Television Reviews

First-person shooter games don’t often involve fantasy. But the visually pleasing “Immortals of Aveum” (Electronic Arts) — which also boasts a talented voice cast and quickly paced action — combines these elements to good effect.

Although the horror sequel “The Exorcist: Believer” (Universal) gets off to a reasonably promising start, it degenerates quickly. It ends up being a muddle both dramatically and, more significantly, in its treatment of religion.

A decade after premiering on Nickelodeon and two years out from their film debut, the titular group of canine first responders, led by a preteen boy called Ryder (voice of Finn Lee-Epp), returns for another round of derring-do and some fresh life lessons.

A blast furnace of blasphemy, “Deliver Us” (Magnet), also is an amalgam of gore and nudity. Co-director (with Cru Ennis) Lee Roy Kunz — who co-wrote the screenplay with Kane Kunz and also takes the film’s leading role — seems intent on giving us religiously themed horror with sexy elements and the power to shock.

With “Expend4bles” (Lionsgate), director Scott Waugh extends a franchise that dates back to 2010 and that has always been fueled by mindless machismo. The latest blood-soaked entry in the series maintains that lunkheaded outlook.

People often use the phrase “drowning in grief” to describe an experience of profound loss. “Under the Waves” (Quantic Dream) makes that phrase come alive by placing an acutely bereaved character in the depths of the ocean.

“A Haunting in Venice” (20th Century) is the third in a series of Agatha Christie adaptations, all featuring her famed sleuth Hercule Poirot, on which director and star Kenneth Branagh has collaborated with screenwriter Michael Green.