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Movie & Television Reviews

Movie Review: ‘Midwinter Break’

February 23, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

The validity of faith is a major theme in the sensitive marital drama “Midwinter Break” (Focus). As adapted from co-writer Bernard MacLaverty’s 2017 novel by director Polly Findlay, the film is an exploration of how contrasting personalities and outlooks can serve either as a source of nuptial balance or of corrosive discord.

A look at the Academy Awards Best Picture Nominees

February 20, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

This year’s Academy Award nominations were announced on Jan. 22. Following, in alphabetical order, are capsule reviews of the 10 films contending for Best Picture. The Oscars ceremony will take place in Los Angeles on Sunday, March 15.

Movie Review: ‘The Strangers – Chapter 3’

February 18, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

“I need a Xanax!” declares a victim-in-waiting in the bloodsoaked slasher flick “The Strangers – Chapter 3” (Lionsgate). Moviegoers unwise enough to patronize the film may end up echoing that sentiment.

Home viewing roundup: What’s available to stream and what’s on horizon

February 18, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Movie Review: ‘Wuthering Heights’

February 17, 2026
By Joseph McAleer
OSV News
Filed Under: Movie & Television Reviews

“Barbie” meets “Bridgerton” in “‘Wuthering Heights,'” the latest screen version of the beloved 1847 novel by Emily Bronte.

Movie Review: ‘Crime 101’

February 13, 2026
By Kurt Jensen
OSV News
Filed Under: Movie & Television Reviews

All three of the main characters in “Crime 101” (Amazon MGM), the film adaptation of Don Winslow’s 2020 novella, are dealing with lives and careers that have slammed into a wall.

Movie Review: ‘Shelter’

February 11, 2026
By Kurt Jensen
OSV News
Filed Under: Movie & Television Reviews

It takes nearly an hour of gunfire, car chases and flying fists for the plot of “Shelter” (Black Bear) to emerge. That it’s another of Jason Statham’s pictures in which he plays a brooding loner who eventually avenges old wrongs. Yet the film almost sneers at viewers for expecting exactly what they get.

Home viewing roundup: What’s available to stream and what’s on horizon

February 11, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Movie Review: ‘Send Help’

February 6, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

“Send Help” (20th Century) is a bitterly cynical horror movie that charts a race to the ethical bottom between its two main characters. In fact, as scripted by Damian Shannon and Mark Swift, director Sam Raimi’s deliberately outrageous film suggests that worldly success can be achieved by resorting to unbridled viciousness.

Exploring Catherine O’Hara’s Catholic roots

February 4, 2026
By Kurt Jensen
OSV News
Filed Under: Arts & Culture, Movie & Television Reviews, Obituaries

Catholic faith was not part of comedian Catherine O’Hara’s public-facing work and personality.

Home viewing roundup: What’s available to stream and what’s on horizon

February 4, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Movie Review: ‘Mercy’

February 2, 2026
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

With apologies to pulp fiction crime writer Mickey Spillane, the dystopian thriller “Mercy” (Amazon MGM) might more aptly be called AI the Jury. That’s because, in the film’s near-future setting, artificial intelligence is empowered to fight crime by generating a rough sort of justice.

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