Existential issues: the fear of becoming outmoded, of dying unloved, of having one’s work forgotten, are wrestled with in the very loosely fact-based mix of comedy and drama “Blue Moon” (Sony Pictures Classics).

As anyone who saw director Yorgos Lanthimos’ 2023 fantasy “Poor Things” will be aware, the Greek-born filmmaker is capable of bringing deep weirdness to the screen. If further evidence of his capacity in that regard was needed, it’s provided in abundance by his latest offering, “Bugonia” (Focus).

Part teen romance, part emotionally convoluted soap opera, “Regretting You” (Paramount), director Josh Boone’s screen version of Colleen Hoover’s 2019 novel, is ill-suited to the youthful audience at which its source material was aimed. As for mature viewers, they’re likely to find the film’s proceedings both inauthentic and pat.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Despite the occasional push-back against political correctness in Nora Garrett’s script, viewers committed to traditional values will find themselves adrift in director Luca Guadagnino’s psychological thriller “After the Hunt” (Amazon MGM). Considered from an artistic point of view, moreover, the film is talky, pretentious and tiresome.

A surprisingly substantive film, “Springsteen: Deliver Me from Nowhere” (20th Century) is more a psychological study than a musical biography. As such, it invites those older viewers for whom it’s appropriate to engage with its sometimes troubling story intellectually and emotionally rather than be passively entertained.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Entrepreneur and former U.S. Marine Colby Barrett is part of the team behind “A Faith Under Siege,” a film that examines attacks by Russian forces and officials on hundreds of Ukrainian faith communities, including Catholic and Protestant believers.

A Catholic comedian who had multiple live show dates scheduled from October through January for a national tour announced Oct. 15 she had canceled the appearances.

With its adroit blend of drama and comedy, the fact-based film “Roofman” (Paramount) effectively evokes a wide range of emotions. While the movie’s underlying values are mostly in order, however, a combination of restrictive elements — including some wayward behavior it briefly showcases — point to a strictly mature viewership.