With its adroit blend of drama and comedy, the fact-based film “Roofman” (Paramount) effectively evokes a wide range of emotions. While the movie’s underlying values are mostly in order, however, a combination of restrictive elements — including some wayward behavior it briefly showcases — point to a strictly mature viewership.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The sci-fi action movie “Tron: Ares” (Disney) represents the Mouse House’s second big-screen attempt to recapture the magic of what turned out to be a remarkably prophetic 1982 feature, now regarded as a cult classic. Unfortunately, the film is not an instance of the third time being lucky.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

For better or worse, the sports biopic “The Smashing Machine” (A24) registers as a highly realistic film. With both a real-life figure as its focus and a documentary as its source material, that may be unsurprising. But the low-key, unsensational approach adopted by writer-director Benny Safdie ultimately produces varied results.

Returning to the big screen for the first time in nearly eight years in “Anemone,” Daniel Day-Lewis plays this central figure, Ray Stoker. Day-Lewis also co-wrote the screenplay with his son, Ronan, who directed the film.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

A Catholic high school boys’ choir from Chicago made it to the top five on the season finale of “America’s Got Talent” Sept. 24, prompting a message of pride and encouragement from Chicago Cardinal Blase J. Cupich.

A new documentary on the abuses allegedly committed by Father Marko Rupnik and survivors’ pursuit of justice received high praise at the Toronto International Film Festival, or TIFF, including for Gloria Branciani, an alleged victim who received a four-minute standing ovation.

Viewers allergic to cats, whether physically or by temperament, should steer clear of the colorful but cutesy musical fantasy “Gabby’s Dollhouse: The Movie” (Universal). So, too, should cynics, curmudgeons and anyone given to even occasional grumpiness.