If nothing else, “Better Man” (Paramount), the biopic of British pop star Robbie Williams, avoids the familiar formula of show business sagas. Most fundamentally, that’s because Williams voices himself as a CGI chimpanzee.

Timothée Chalamet convincingly portrays storied musician and songwriter Bob Dylan in “A Complete Unknown” (Searchlight), a well-crafted recreation of the early years of the iconic performer’s career. Both mature subject matter and salty vocabulary, however, mark the film as suitable for older moviegoers only.

As narrated by Rafiki (voice of John Kani), a wise mandrill, the story looks back to the youthful bond between two princely lions, Mufasa (voice of Aaron Pierre) and Taka (voice of Kelvin Harrison Jr.).

Olivia Hussey, known for her iconic on-screen portrayals of Mary and Mother Teresa, died Dec. 27 at age 73 at her California home, according to a statement released by her family the following day.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

In approaching the comic adventure “Sonic the Hedgehog 3” (Paramount), viewers will likely be expecting to witness more of the hyperkinetic antics that are the trademark of the Sega video game-based characters around whom the franchise is built. What they may not be bargaining for are complex layers of emotional pain.

Catholic moviegoers will naturally take an interest in any project related to the works of their renowned co-religionist, novelist J.R.R. Tolkien (1892-1973). But the question always remains whether any new adventure set in his fictional land of Middle-earth will share in the elusive magic of the stories he himself spun.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

As strained as it is bloodsoaked and morally wayward, the would-be action adventure “Kraven the Hunter” (Columbia) is a hopeless dud. On the upside, moviegoers misguided enough to patronize the film will likely be too bored to be much corrupted by it.

Twenty-five years on, is it time to wax nostalgic for the turn of the millennium? If the low-minded disaster-themed comedy “Y2K” (A24) is anything to go by, the answer is a resounding “No.”