The 160,000 actors and 11,500 screenwriters involved in the action against the Alliance of Motion Picture and Television Producers are concerned about two interrelated threats to their livelihood.

In a timely move, the folks behind the slick, vibrant espionage thriller “Mission: Impossible – Dead Reckoning Part One” have added an experimental Artificial Intelligence project run amok to their roster of villains.

A pilgrimage to Lourdes provides the framework for the tender drama “The Miracle Club” (Sony Classics).

Hollywood has decided that Asian American women deserve their very own raunchy road movie. And so viewers are invited along for “Joy Ride” (Lionsgate). They’d do well to skip the trip.

The latest title in a franchise that’s been going strong since 1997, “Diablo IV” (Blizzard) sees an epic confrontation between a rogue angel and a fugitive demon, with the fate of humanity hanging in the balance.

In theory, the tale of a shy but enthusiastic high schooler who is really a sea creature rather than a human might make for a pleasant diversion. But the major feminist and minor gay agendas that underlie the animated adventure “Ruby Gillman, Teenage Kraken” (Universal) spoil any potential fun the film might offer.

The story of Ballard’s battle against the sexual enslavement of kids — a horrifying form of depravity that’s disturbingly widespread — makes for a valuable and ultimately uplifting experience.

A new film starring Jim Caviezel aims to move millions to end the scourge of child trafficking.

In the often-raunchy comedy “No Hard Feelings” (Sony) star Jennifer Lawrence plays a woman who agrees to sell her body for a Buick.

“The Blackening” (Lionsgate) is a brilliant comic riff on what constitutes authentic African American identity.