While the series takes an ambiguous approach in its treatment of faith, “Midnight Mass” is logically flawed as well as lurid.

In the animated comedy “The Addams Family 2,” the beloved characters from the imagination of Charles Addams are as creepy, kooky, mysterious and spooky as ever, and the humor remains dark and macabre, but overall good-natured.

Clint Eastwood directed and stars in the gentle, though naive, road movie “Cry Macho” (Warner Bros.).

Director Stephen Chbosky’s screen version of the award-winning 2016 Broadway hit is marked, overall, by upright fundamental values.

Writer-director Kay Cannon’s screechy romance “Cinderella” (Amazon) is an obnoxious corruption of the classic folk tale, the most familiar version of which was penned by French writer Charles Perrault in the 17th century.

A spry wit paces the elegant martial-arts showdowns in director and co-writer Destin Daniel Cretton’s Marvel Comics-derived adventure “Shang-Chi and the Legend of the Ten Rings.”

By the time of its conclusion, “Candyman” has degenerated into a fantasy of racial revenge wholly at odds with Gospel values.

With the arrival of “PAW Patrol: The Movie” (Paramount), the titular rescue crew of pups bring their adventures to a multiplex near you. The result is a breezy, tenderhearted film suitable for all.

Director Martin Campbell’s sleek yet brutal thriller “The Protege” (Lionsgate) not only depicts the activities of its principal characters, all of them assassins, in unsparing bloody detail. It also presents its own alternate version of morality.

Part dystopian adventure, part neo-noir mystery, “Reminiscence” (Warner Bros.) is undone by its own sense of importance.