The plot is silly, at times preposterous. But that’s not unexpected for an old-fashioned popcorn movie, a Saturday-matinee serial writ large.

Though director Luke Greenfield’s odd-couple road trip movie produces the occasional laugh, it’s effectively undercut by the fact that neither of its lead characters is a believable figure.

The most entertaining Stone Age family since the Flintstones returns to the big screen in “The Croods: A New Age” (Universal), a delightful animated comedy suitable for almost all ages.

Take “Peter Pan,” add a dash of “Alice in Wonderland,” stir in the poetry of William Butler Yeats and you have the recipe for “Come Away” (Relativity), an intriguing if slightly schizophrenic fairy tale.

The latest big-screen adaptation of London’s semi-autobiographical tale — an Italian-language film with English subtitles — offers a refreshing new take on the rags-to-riches saga.

If the monster movie “Come Play” (Focus) is only reasonably effective in frightening its audience, it is at least refreshingly free of objectionable material, including gore.

Logical flaws make this drama’s plot difficult to embrace, or even comprehend. Some dialogue expressing the inner lives of the characters would have been a great help.

Aaron Sorkin skillfully evokes the tensions of a troubled era that has unfortunate parallels to our own unsettled times.

Paragas has constructed a kind and ethical world, sanding away the unpleasant realities of political contention, overt racism and the threat of sexual predation.

The moving documentary “Pray: The Story of Patrick Peyton” (ArtAffects) lucidly chronicles its subject’s life and feels imbued with his warm and fervent spirit.