NEW YORK (OSV News) – In 1946, less than 30 years after her death, aged 67, Mother Frances Xavier Cabrini was canonized by Pope Pius XII. Four years later, she was named the patron saint of immigrants. To judge by the luminous profile “Cabrini” (Angel Studios), however, she might just as easily be regarded as the patroness of the indomitable.
By combining visual craftsmanship with dramatic force and evoking a powerful performance from Cristiana Dell’Anna in the title role, director Alejandro Monteverde delivers a riveting retrospective. Despite the fact-based nature of the proceedings, moreover, Rod Barr’s script is infused with suspense simply because of the impossibly long odds its heroine repeatedly faces.
As the 1880s come to a close, the strong-willed superior is demonstrating her persistence by continuing to pester the Vatican for permission to achieve a cherished ambition. Despite chronic ill-health, she longs to bring the Lombardy-based missionary religious order she had helped to found at the beginning of the decade to China.
Exasperated by Cabrini’s tenacity, a cardinal tells her, “Stay where you belong, Mother.” Fat chance.
Fortunately, Pope Leo XIII (Giancarlo Giannini) proves more sympathetic. Instead of establishing an Asian mission, though, he directs Cabrini to minister to the impoverished Italian immigrants of New York City.
Thus Cabrini and a handful of her companions soon find themselves walking the mean streets of what was then Gotham’s most notorious slum, Five Points. Intent initially on reopening an abandoned orphanage in the area and later on building a hospital to serve the downtrodden community, Cabrini gets only tepid support from Archbishop Michael Corrigan (David Morse).
But she eventually gains more enthusiastic backing from New York Times reporter Theodore Calloway (Jeremy Bobb). Having been treated with respect and kindness by Cabrini, reformed local streetwalker Vittoria (Romana Maggiora Vergano) becomes both an avid fan and an active collaborator.
Cabrini has a powerful outright opponent in the Big Apple’s (fictional) Mayor Gould (John Lithgow), however. He embodies both the disdainful misogyny and rampant ethnic prejudice Cabrini had to overcome on her way to founding a charitable empire.
The work of cinematographer Gorka Gómez Andreu is chockablock with beautifully composed images. And Dell’Anna manages to convey a sense of Cabrini’s unshakable determination as well as a mysterious stateliness entirely free of self-importance. This fine portrait of the indefatigable foundress is worthy of her wide-ranging legacy — which is saying a great deal.
The film contains brief physical and gun violence, mature themes, including prostitution, and a single crass expression. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
Also read:
Radio Interview: A producer of ‘Cabrini’ discusses what
Subject of a new film, Mother Cabrini left native Italy to serve U.S. immigrants
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Home viewing roundup: What’s available to stream and what’s on horizon
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Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.
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Continue Reading Home viewing roundup: What’s available to stream and what’s on horizon
Movie Review: ‘Freakier Friday’
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More than two decades later, the duo reprise their roles while screenwriter Jordan Weiss raises the stakes with further complications in “Freakier Friday” (Disney). While not a knee-slapper, the sequel is at least mostly wholesome.
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Movie Review: ‘The Naked Gun’
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For most of its running time, the intermittently amusing comedy “The Naked Gun” (Paramount), a sendup of the hardboiled cop genre, qualifies as a fun spoof that’s appropriate for most grown-ups. Yet its one sequence of utterly tasteless sexual sight gags will leave discerning viewers anything but entertained.
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Review: ‘Art Detectives,’ streaming, Acorn TV
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All six roughly 45 minute-long episodes of the series “Art Detectives” are currently streaming on Acorn TV. The British production combines the cozy variety of mystery solving that forms a staple of UK television with easily accessible sophistication.
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Continue Reading Review: ‘Art Detectives,’ streaming, Acorn TV
Movie Review: ‘The Bad Guys 2’
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Now joined by co-director J.P. Sans, Perifel has crafted an equally enjoyable follow-up, “The Bad Guys 2” (Universal). While this second installment continues the ensemble’s conversion story, the script — on which the first movie’s writer, Etan Cohen, collaborated with Yoni Brenner — also includes enough potty-centric material to annoy at least some parents.
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Movie Review: ‘The Fantastic Four: First Steps’
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Set in an alternate version of the mid-1960s, director Matt Shakman’s Marvel Comics adaptation “The Fantastic Four: First Steps” (Disney) can fairly be called the TWA Hotel of superhero movies.
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