John Mulderig

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

A fact-based fish-out-of-water tale, director and co-writer Richard Linklater’s black comedy “Hit Man” (Netflix) starts off intriguingly. After some needlessly graphic forays into eroticism, however, the film’s third-act departure from the real biography of its protagonist sends a morally skewed message.

It’s a notable phenomenon in contemporary Hollywood that some movies aimed primarily at children, especially those produced by Pixar, prove both more substantive and emotionally resonant than many films competing for a grown audience. Such is the case with the animated psychological comedy “Inside Out 2” (Disney).

Bloodletting is kept to a minimum in writer-director Ishana Night Shyamalan’s horror tale, her feature debut. But so too, alas, is viewer interest.

The outstanding characteristic of the “Bad Boys” buddy cop movies has always been the sheer delight with which they depict violence. So when, after a two-film rampage over the turn of the millennium, the franchise fell quiescent for almost as long as Rip Van Winkle snoozed, it was a case of letting a sleeping cinematic dog lie.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The world’s most famous lasagne-loving, Mondays-averse feline gets a third big-screen outing with “The Garfield Movie” (Columbia). Director Mark Dindal’s animated adaptation of cartoonist Jim Davis’ long-running comic strip is generally amiable and family-friendly. Yet it’s only fitfully amusing and feels disposable.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.