• Skip to main content
  • Skip to secondary menu
  • Skip to primary sidebar
  • Skip to footer
Catholic Review

Catholic Review

Inspiring the Archdiocese of Baltimore

Menu
  • Home
  • News
        • Local News
        • World News
        • Vatican News
        • Obituaries
        • Featured Video
        • En Español
        • Sports News
        • Official Clergy Assignments
        • Schools News
  • Commentary
        • Contributors
          • Question Corner
          • George Weigel
          • Elizabeth Scalia
          • Michael R. Heinlein
          • Effie Caldarola
          • Guest Commentary
        • CR Columnists
          • Archbishop William E. Lori
          • Rita Buettner
          • Christopher Gunty
          • George Matysek Jr.
          • Mark Viviano
          • Father Joseph Breighner
          • Father Collin Poston
          • Amen Columns
  • Entertainment
        • Events
        • Movie & Television Reviews
        • Arts & Culture
        • Books
        • Recipes
        • CR Kids
  • About Us
        • Contact Us
        • Our History
        • Meet Our Staff
        • Photos to own
        • Shop
        • CR Media platforms
        • Electronic Edition
        • Subscribe
  • Advertising
  • Kids
  • News Tips
  • Radio/Podcasts
        • Catholic Review Radio
        • Protagonistas de Fe
        • In God’s Image
        • “In Charity and Truth” with Archbishop William E. Lori
  • Subscribe
Laura Carmichael, Harry Hadden-Paton, Elizabeth McGovern, Hugh Bonneville, and Michelle Dockery star in a scene from the movie "Downton Abbey: The Grand Finale." The OSV News classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. (OSV News photo/Rory Mulvey, Focus Features)

Movie Review: ‘Downton Abbey: The Grand Finale’

September 5, 2025
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews

NEW YORK (OSV News) – Both the upstairs and downstairs inhabitants of the titular stately home get a splendid send-off in “Downton Abbey: The Grand Finale” (Focus). A couple of subplots interwoven into this third big-screen iteration of the franchise, however, suggest the abundant elegance it offers is best reserved for grown-ups.

Aptly, in light of the gently elegiac mood that will prevail throughout, the film opens with an excerpt from Noel Coward’s 1929 operetta “Bitter Sweet.” This marks the start of screenwriter Julian Fellowes’ deft deployment of the music of that theatrical master of all trades as a highly effective era-evoking and tone-setting motif.

This time out, the proprietors of Downton, Lord (Hugh Bonneville) and Lady (Elizabeth McGovern) Grantham, face two principal problems. The first involves financial worries, the second results from the social shunning of their recently divorced daughter, Lady Mary Talbot (Michelle Dockery).

Having entrusted her U.S.-based brother Harold (Paul Giamatti) with the management of her inherited wealth, American-born Lady Grantham discovers belatedly that he’s made a mess of things. Arriving in England with his mysterious — and possibly shady — investment advisor Gus Sambrook (Alessandro Nivola) in tow, Harold reports the woeful results.

As Lady Grantham tries to decide whether to give Harold the chance to recoup his losses by selling the family estate in Newport, Rhode Island, and placing the proceeds in Gus’ hands, Lady Mary chafes under her newfound status as a pariah. The fact that she is the innocent party in the split with her unfaithful and manipulative husband makes no difference to the aristocracy.

The primary emotional tension in this early 20th-century family saga — first chronicled in Fellowes’ popular ITV and PBS television series — has always derived from the complex relationship between Lady Mary and her sister, Lady Edith Hexham (Laura Carmichael). Enduring temperamental differences notwithstanding, Lady Edith now comes to the rescue.

Her scheme for reclaiming her sibling’s role in high society involves the widespread popularity of Coward (Arty Froushan) whom the Granthams have gotten to know through their friendship with stage and screen actor Guy Dexter (Dominic West). Like King George V and Queen Mary before him, Coward pays a visit to Downton and — like them — causes quite a splash.

Among the servants, meanwhile, major developments are afoot. Both Mr Carson (Jim Carter), the butler, and head cook Mrs Patmore (Lesley Nicol) are preparing for retirement and both are experiencing mixed feelings about the impending change.

Amid her woes, Lady Mary commits a sexual indiscretion that the script implicitly condemns and about which she herself has instant regrets. The ongoing relationship between Dexter and former Downton footman Thomas Barrow (Robert James-Collier), by contrast — although only touched on lightly — is treated sympathetically as a source of happiness for both.

More broadly, director Simon Curtis’ generally enchanting wrap-up salutes family solidarity, kindness and mutual respect across classes — even as the formerly strict divisions among them are being progressively flouted as the 1930s arrive. In light of those congenial values, at least some parents may consider this concluding chapter acceptable fare for older teens.

The film contains a benign view of homosexual acts, an offscreen casual sexual encounter, a bedroom scene with partial nudity, at least one slightly crass term and some mature references. The OSV News classification is A-III — adults. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.

Read More Entertainment

Movie Review: ‘The End of Oak Street’

Movie Review: ‘American Martyr: The Stanley Rother Story’

Movie Review: ‘Paw Patrol: The Dino Movie’

Home viewing roundup: What’s available to stream and what’s on the horizon

Movie Review: ‘Super Troopers 3’

Movie Review: ‘One Night Only’


Copyright © 2025 OSV News

Print Print

Primary Sidebar

John Mulderig

View all posts from this author

For the latest news delivered twice a week via email or text message, sign up to receive our free enewsletter.

| MOST POPULAR |

  • Archbishop William E. Lori announces appointments, including pastor, special ministry and deacons
  • Archdiocese of Baltimore regroups parishes into eight regions
  • Fire damages building used for youth activities at St. Joseph, Fullerton
  • Pope Leo night at White Sox baseball park maxes out stadium capacity
  • Sainthood cause takes step forward for Rhoda Wise, an Ohio housewife, mystic and stigmatist

| CURRENT EDITION |

| Vatican News |

True beauty found in enduring love, which ‘ennobles and lifts us up,’ pope says on feast of Assumption

World cannot remain indifferent to suffering of migrant children, pope says

Vatican City mints new coins featuring face of Pope Leo XIV

Pope Leo XIV offers prayers, financial assistance to disaster-stricken Colombia

Pope Leo XIV urges sisters to foster vocations to religious life in United States

| Catholic Review Radio |

| Movie & Television Reviews |

Movie Review: ‘The End of Oak Street’

Movie Review: ‘American Martyr: The Stanley Rother Story’

Movie Review: ‘Paw Patrol: The Dino Movie’

Home viewing roundup: What’s available to stream and what’s on the horizon

Movie Review: ‘Super Troopers 3’

| En español |

Cientos de catequistas y ministros litúrgicos hispanos se reúnen para celebrar la fe y la formación

La Arquidiócesis de Baltimore responde al creciente control de la inmigración

‘Presentes’: el arzobispo Lori ordena a 14 diáconos permanentes en una misa solemne y llena de alegría

La Renovación Carismática Hispana atrae al arzobispo Lori a la sesión de formación

Una fe que pasó de resistir a cambiar estructuras

Footer

Our Vision

Real Life. Real Faith. 

Catholic Review Media communicates the Gospel and its impact on people’s lives in the Archdiocese of Baltimore and beyond.

Our Mission

Catholic Review Media provides intergenerational communications that inform, teach, inspire and engage Catholics and all of good will in the mission of Christ through diverse forms of media.

Contact

Catholic Review
320 Cathedral Street
Baltimore, MD 21201
443-524-3150
mail@CatholicReview.org

 

Social Media

  • Facebook
  • Instagram
  • Twitter
  • YouTube

Recent

  • Movie Review: ‘The End of Oak Street’
  • Movie Review: ‘American Martyr: The Stanley Rother Story’
  • True beauty found in enduring love, which ‘ennobles and lifts us up,’ pope says on feast of Assumption
  • Values, service highlight nursing career spanning 59 years
  • World cannot remain indifferent to suffering of migrant children, pope says
  • Vatican City mints new coins featuring face of Pope Leo XIV
  • ‘Strange Land’: The Hillbilly Thomists drop new album while on tour
  • Pope Leo XIV offers prayers, financial assistance to disaster-stricken Colombia
  • Supreme Court sets date for case over Catholic preschools and Colorado’s ‘universal’ program

Search

Membership

Catholic Media Assocation

Maryland-Delaware-DC Press Association

The Associated Church Press

© 2026 CATHOLIC REVIEW MEDIA, ALL RIGHTS RESERVED