“The Chosen” provides much inspiration that could kick start your Lenten reflection on how God might be inviting you to metanoia, or conversion, during this penitential season.

The fish-out-of-water action comedy “Argylle” (Universal) starts off promisingly and its initial twists and turns sustain audience interest. By multiplying these complications and reversals, however, screenwriter Jason Fuchs eventually reaps diminishing returns.

Hollywood seems to find more drama in decaying marriages and divorce than in marital stability. Yet memorable films portraying successful marriages have appeared over the years.

A little-known chapter of American religious history is explored in the enlightening documentary, “For the Sake of the Gospel.” Produced by the Diocese of Savannah, and made possible by the Catholic Communications Campaign, the film will air on EWTN Monday, Feb. 5, 5:30-6 p.m. EST.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

“Avatar: Frontiers of Pandora” (Ubisoft) is an open-world action-adventure game that takes place concurrently with the movies. Its narrative, however, tells a standalone tale. While the experience as a whole is safest for grown-ups, it may also be acceptable for older adolescents.

Five years since the premiere of the first season, the series about the life of Jesus of Nazareth is now garnering over 770 million views of its episodes and has more than 12 million social media followers.

Renowned filmmaker Greta Gerwig, fresh off the success of her record-breaking box office hit “Barbie,” is gearing up for her next major project — the adaptation of C.S. Lewis’ beloved children’s series, “The Chronicles of Narnia,” for Netflix.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The psychological thriller “I.S.S.” (Bleecker Street) highlights positive values and teaches a civilizing lesson. But, as penned by screenwriter Nick Shafir, director Gabriela Cowperthwaite’s drama of shifting allegiance and unpredictable behavior never gains traction and ultimately registers as a slack, by-the-numbers exercise.