Cast aside any concerns about the dangers of artificial intelligence — “The Wild Robot” (Dreamworks) has arrived, a Mary Poppins bot ready to chase your cares away in this warm and fuzzy animated adaptation of the bestselling children’s book by Peter Brown.

As allegorical horror films about woodland isolation complicated by demon-infestation rate, “Never Let Go” (Lionsgate) checks off all the unpleasant boxes.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

A Catholic priest who had gameshow fans “swooning,” according to one entertainment reporter, told OSV News he hoped his recent television appearance helps give “a positive impression of the church” and clergy in general.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

“The Killer’s Game” (Lionsgate) is a potentially entertaining, albeit ridiculous, action comedy. Unfortunately, the criminal mayhem the movie lightheartedly showcases involves stomach-churning images of gore and dismemberment that quickly cancel out any fun that might be had from it.

Any connection between the animated adventure “Transformers One” (Paramount) and the great Catholic historian Lord Acton may seem unlikely. Yet director Josh Cooley’s film is a cautionary tale that fully vindicates the Victorian scholar’s famous observation that power tends to corrupt and absolute power corrupts absolutely.

A powerful performance from James McAvoy drives the hard-edged psychological thriller “Speak No Evil” (Universal).

James Earl Jones, a distinguished actor known for his resonant voice and a Black Catholic, died Sept. 9 in Dutchess County, New York, at age 93.

Oh, those creepy Christians! Such is the underlying sentiment discernible through most of the running time of the psychological horror film “The Front Room” (A24).