A bunch of talented stars headline the comedy “80 for Brady” (Paramount). But they’re left becalmed by the inertia of this going-through-the-motions paean to football fandom.

It may be the end of the world as we know it in “Knock at the Cabin.” But, unlike R.E.M.’s Michael Stipe, no one in this offbeat but effective thriller feels fine.

Contemporary reality clashes with high fantasy in the action-adventure “Forspoken.”

By subverting its central trope, screenwriter Akela Cooper and director Gerard Johnstone serve up a wickedly funny treat in “M3GAN.”

It’s the adolescent child and not the parent who’s at the center of the action in “Missing.”

The idea of incorporating iconic author Edgar Allan Poe, the inventor of the modern detective story, into a whodunit would seem like a winning one.

Grown fans of Gerard Butler and of the action genre may find director Jean-François Richet’s aviation adventure “Plane” (Lionsgate) appealing in some respects.

While the drama-and-comedy blend “A Man Called Otto” (Sony) proves generally goodhearted, it also turns out to be formulaic.

Director Kasi Lemmons’ profile charts singer Whitney Houston’s meteoric rise as well as the gradual descent into dependence that culminated in her untimely 2012 death at age 48.

The disappearance 40 years ago of Emanuela Orlandi has haunted her family, fueled conspiracy theories and provided grist for a recent Netflix series.