“Flannery,” a documentary about the life and writings of Catholic writer Flannery O’Connor, opens in select virtual cinemas nationwide July 17.

With a commendable sensitivity to both the inanities and the unrelenting raw horror of combat — and careful attention to the emotional lives and steadfast valor of soldiers — “The Outpost” (Screen Media) seems likely to become an instant classic of the war-film genre.

While McCorvey’s real outlook and motivation remain elusive, two things can be said with certainty: first, that she was a complicated person and second, that everyone interviewed for filmmaker Nick Sweeney’s profile of McCorvey has an agenda of his or her own.

The reasons the church continues to honor the Apostle of Ireland more than 1,500 years after his death shine forth in the film “I Am Patrick” (CBN), a docudrama screening in theaters for two nights only, March 17 — St. Patrick’s Day — and March 18.

“Les Miserables” (Amazon) has no connection to Victor Hugo’s classic novel of the same name other than its setting — the rundown Paris suburb of Montfermeil, where the poor still struggle and continue to distrust authority figures.

The film covers the familiar outlines of the old story, with two children negotiating a dark and very foggy forest as they escape a famine-scarred home life in search of food and security.

As with many satires, the makers of “Jojo Rabbit” (Fox Searchlight) don’t care much whether an audience likes their film — or understands all of it.

Like the ocean depths in which it’s set, director William Eubank’s monster movie “Underwater” (Fox) is dim and murky.

I am going to maintain that A Quiet Place is the most unexpectedly religious film of 2018.

Presenting the story of the Nativity from the perspective of the animals allowed the producers and director to see the well-known narrative from fresh eyes. In an interview for the “Catholic Baltimore” radio show, director Timothy Reckart discusses the goals of those who produced the movie, which opens Nov. 17.