Far-fetched and ham-fisted, the grim fantasy “Antebellum” (Lionsgate) is marked by an outlook on timely racial issues that lacks both balance and a humane spirit.

In dealing with religious conflict in Iran, it stereotypes Muslims as having beaky noses, scowling constantly and being prone to wishing, and committing, violence on those who disrespect Islam.

The film is sprawling and picturesque. And, as scripted by Rick Jaffa, Amanda Silver, Lauren Hynek and Elizabeth Martin, it salutes courage, solidarity and devotion to family while also showcasing the conversion of one of its villains.

“Tenet” can be enjoyed as an overstuffed globetrotting adventure. Think James Bond on Red Bull, only this time the villain is pursued in the past as well as in real time.

Christopher Gunty talks with Dick Lyles, one of the producers of the movie, “Fatima,” about the challenges of the project and the blessings that have come from it already.

There’s Arianism, Nestorianism, semi-Pelagianism and now there’s “The Burnt Orange Heresy” (Sony).

Director Miranda de Pencier’s drama tells the inspiring true story of a town that suffered the highest suicide rate in North America but found hope through the introduction of a lacrosse program for its teens.

Catholic News Service provides capsule reviews about movies on the Second World War.

“Flannery,” a documentary about the life and writings of Catholic writer Flannery O’Connor, opens in select virtual cinemas nationwide July 17.

With a commendable sensitivity to both the inanities and the unrelenting raw horror of combat — and careful attention to the emotional lives and steadfast valor of soldiers — “The Outpost” (Screen Media) seems likely to become an instant classic of the war-film genre.