The documentary initiative has resulted in several works examining Russia’s persecution of faith communities in occupied regions of Ukraine.

The validity of faith is a major theme in the sensitive marital drama “Midwinter Break” (Focus). As adapted from co-writer Bernard MacLaverty’s 2017 novel by director Polly Findlay, the film is an exploration of how contrasting personalities and outlooks can serve either as a source of nuptial balance or of corrosive discord.

This year’s Academy Award nominations were announced on Jan. 22. Following, in alphabetical order, are capsule reviews of the 10 films contending for Best Picture. The Oscars ceremony will take place in Los Angeles on Sunday, March 15.

“I need a Xanax!” declares a victim-in-waiting in the bloodsoaked slasher flick “The Strangers – Chapter 3” (Lionsgate). Moviegoers unwise enough to patronize the film may end up echoing that sentiment.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

“Barbie” meets “Bridgerton” in “‘Wuthering Heights,'” the latest screen version of the beloved 1847 novel by Emily Bronte.

All three of the main characters in “Crime 101” (Amazon MGM), the film adaptation of Don Winslow’s 2020 novella, are dealing with lives and careers that have slammed into a wall.

It takes nearly an hour of gunfire, car chases and flying fists for the plot of “Shelter” (Black Bear) to emerge. That it’s another of Jason Statham’s pictures in which he plays a brooding loner who eventually avenges old wrongs. Yet the film almost sneers at viewers for expecting exactly what they get.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

“Send Help” (20th Century) is a bitterly cynical horror movie that charts a race to the ethical bottom between its two main characters. In fact, as scripted by Damian Shannon and Mark Swift, director Sam Raimi’s deliberately outrageous film suggests that worldly success can be achieved by resorting to unbridled viciousness.