Despite the occasional push-back against political correctness in Nora Garrett’s script, viewers committed to traditional values will find themselves adrift in director Luca Guadagnino’s psychological thriller “After the Hunt” (Amazon MGM). Considered from an artistic point of view, moreover, the film is talky, pretentious and tiresome.

A surprisingly substantive film, “Springsteen: Deliver Me from Nowhere” (20th Century) is more a psychological study than a musical biography. As such, it invites those older viewers for whom it’s appropriate to engage with its sometimes troubling story intellectually and emotionally rather than be passively entertained.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Entrepreneur and former U.S. Marine Colby Barrett is part of the team behind “A Faith Under Siege,” a film that examines attacks by Russian forces and officials on hundreds of Ukrainian faith communities, including Catholic and Protestant believers.

A Catholic comedian who had multiple live show dates scheduled from October through January for a national tour announced Oct. 15 she had canceled the appearances.

With its adroit blend of drama and comedy, the fact-based film “Roofman” (Paramount) effectively evokes a wide range of emotions. While the movie’s underlying values are mostly in order, however, a combination of restrictive elements — including some wayward behavior it briefly showcases — point to a strictly mature viewership.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The sci-fi action movie “Tron: Ares” (Disney) represents the Mouse House’s second big-screen attempt to recapture the magic of what turned out to be a remarkably prophetic 1982 feature, now regarded as a cult classic. Unfortunately, the film is not an instance of the third time being lucky.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

For better or worse, the sports biopic “The Smashing Machine” (A24) registers as a highly realistic film. With both a real-life figure as its focus and a documentary as its source material, that may be unsurprising. But the low-key, unsensational approach adopted by writer-director Benny Safdie ultimately produces varied results.