A funeral Mass for Daughter of Charity Sister Mary (Mary Helena) Sheehan was offered March 27 at the Basilica of the National Shrine of St. Elizabeth Ann Seton in Emmitsburg. Sister Mary died March 22. She was 86. 

The classical music cued and so began an episode of Mercy’s four-part, hour-long series that brings historical medical figures together with modern-age Mercy doctors for a discussion on the challenges and advancements each have faced in the medical world.

The five men who will be ordained to the priesthood in June each had a special role in the chrism Mass March 30 at the Cathedral of Mary Our Queen in Homeland. Three carried the oils that would be blessed in the Mass, one preached the Gospel and another assisted Archbishop William E. Lori at the altar.

More than 1,280 across the Archdiocese of Baltimore will be joining the Catholic Church this Easter – a count based on those who attended the archdiocese’s formal rites and one that does not include several hundred others at some parishes.  

It won’t be anything like the carnivorous alien plant that crooned Motown in “Little Shop of Horrors,” but an upcoming concert at St. Louis in Clarksville promises something almost as unusual: music made with the help of plants.

In this Earth Day-themed episode of Catholic Review Radio, host George Matysek explores how faith can inspire care for creation through the perspectives of two guests.

Father Francis Ouma sees the imprint of parishioners everywhere inside the newly renovated St. Patrick Church in Havre de Grace – in every restored surface and carefully renewed detail.

Villa Assumpta, the longtime regional motherhouse for the School Sisters of Notre Dame, will be redeveloped into a nonprofit continuing care community for senior living.

About 50 pilgrims arrived Feb. 6 for the weekly prayer gathering at the chapel of the Catholic Community of St. Francis Xavier in Hunt Valley, some traveling across state lines. In the presence of a first-order relic of St. Michael of the Saints, a 17th-century Spanish priest and member of the Trinitarians known for his deep devotion to the Eucharist, the names flowed like water.

In spare black-and-white lines – almost graffiti-like in their directness – Matisse grouped all 14 Stations together in an expansive mural more than six feet tall.