Off they go into the wild blue yonder — again — in “Top Gun: Maverick” (Paramount), a rousing sequel to the 1986 blockbuster about one of the U.S. Navy’s elite flying squadrons and its gaggle of cocky fighter pilots.

In adapting a long-running Fox TV show for the big screen, directors Loren Bouchard and Bernard Derriman mix wry observations and quirky personalities with a few jaunty songs to give us “The Bob’s Burgers Movie” (20th Century).

There’s some good news about the evangelical comedy “Family Camp” (Roadside): Predictably, it’s almost squeaky clean and thus appropriate for a wide range of age groups. But that’s, alas, where the glad tidings about this leaden production cease.

The award for the most appropriate film title of 2022 goes to “Doctor Strange in the Multiverse of Madness” (Disney). Truly, this is a maddening, multidimensional, decidedly strange, yet typically “Marvel”-ous movie based on the comic book series.

Billed as a continuation — not a reboot — the eponymous 10-episode limited-series drama “The Man Who Fell to Earth” premiered April 24, 10-11 p.m. on Showtime. It will continue in that time slot throughout its run, concluding July 3.

Set at the turn of the 10th century, the Viking epic “The Northman” (Focus) seeks to immerse viewers in the Nordic culture of that era.

The heist genre gets a fresh burst of frenetic energy with the animated comedy “The Bad Guys” (Universal). This high-octane, older-kid-friendly caper is veteran animator Pierre Perifel’s feature debut — and the neophyte director nails it.

Dorothy’s refrain, “There’s no place like home,” in “The Wizard of Oz” also could be echoed by her blue and white gingham dress from the 1939 movie.

“Alive,” a new documentary made in Spain by Bosco and Hakuna Films, tells the stories of five people changed by their encounter with the real presence of Christ in the Eucharist during Holy Hour.

The Hogwarts School of Witchcraft and Wizardry has proved to be a mine of prodigious riches for its creator, J.K. Rowling.