Nate Bargatze, best known for his stand-up work, co-wrote and stars in the domestic comedy “The Breadwinner” (Sony). Although mostly wholesome, the film is also, unfortunately, sorely lacking in laughs.

For British meteorologist James Stagg (Andrew Scott), the central figure in the fact-based World War II drama “Pressure” (Focus), the “longest day” was probably not the eventual date of the Allied invasion of Normandy. Instead it was likely the day he had to advise that the greatest amphibious landing of troops in history be postponed.

It’s one battle after another for the title characters in the latest installment of the “Star Wars” saga, “The Mandalorian and Grogu” (Disney). But the combat is nongraphic and the film is free of anything off-color. As a result, this high-quality escapist adventure can be enjoyed by a broad spectrum of age groups.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of June 7, as well as notes on TV programming for the same week.

Writer-director Guy Ritchie puts a twist on the heist movie with “In the Grey” (Black Bear). Although clever, the film is also harshly violent. So it can only be endorsed for grown viewers who don’t object to a steady barrage of gunfire, the occasional explosion and the sight of blood here and there.

On Jan. 1, all Hollywood films released in 1930 entered the public domain. As a result, many of them can now be watched online for free.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of May 31, as well as notes on TV programming for the same week.

“More tears are shed over answered prayers than unanswered ones,” the 16th-century mystic St. Teresa of Avila is famously said to have observed. To judge by the horror film “Obsession” (Focus), something similar — but far more drastic — might be said about fulfilled wishes.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of May 24, as well as notes on TV programming for the same week.

Based on a video game series so notoriously violent that it helped inspire the establishment of the Entertainment Software Rating Board regulatory body, “Mortal Kombat II” (Warner Bros.) lives down to its blood-soaked heritage. Ostensibly concerned with the martial arts, the film ultimately revels instead in horrific mortality.