NEW YORK (OSV News) – In 1946, less than 30 years after her death, aged 67, Mother Frances Xavier Cabrini was canonized by Pope Pius XII. Four years later, she was named the patron saint of immigrants. To judge by the luminous profile “Cabrini” (Angel Studios), however, she might just as easily be regarded as the patroness of the indomitable.
By combining visual craftsmanship with dramatic force and evoking a powerful performance from Cristiana Dell’Anna in the title role, director Alejandro Monteverde delivers a riveting retrospective. Despite the fact-based nature of the proceedings, moreover, Rod Barr’s script is infused with suspense simply because of the impossibly long odds its heroine repeatedly faces.
As the 1880s come to a close, the strong-willed superior is demonstrating her persistence by continuing to pester the Vatican for permission to achieve a cherished ambition. Despite chronic ill-health, she longs to bring the Lombardy-based missionary religious order she had helped to found at the beginning of the decade to China.
Exasperated by Cabrini’s tenacity, a cardinal tells her, “Stay where you belong, Mother.” Fat chance.
Fortunately, Pope Leo XIII (Giancarlo Giannini) proves more sympathetic. Instead of establishing an Asian mission, though, he directs Cabrini to minister to the impoverished Italian immigrants of New York City.
Thus Cabrini and a handful of her companions soon find themselves walking the mean streets of what was then Gotham’s most notorious slum, Five Points. Intent initially on reopening an abandoned orphanage in the area and later on building a hospital to serve the downtrodden community, Cabrini gets only tepid support from Archbishop Michael Corrigan (David Morse).
But she eventually gains more enthusiastic backing from New York Times reporter Theodore Calloway (Jeremy Bobb). Having been treated with respect and kindness by Cabrini, reformed local streetwalker Vittoria (Romana Maggiora Vergano) becomes both an avid fan and an active collaborator.
Cabrini has a powerful outright opponent in the Big Apple’s (fictional) Mayor Gould (John Lithgow), however. He embodies both the disdainful misogyny and rampant ethnic prejudice Cabrini had to overcome on her way to founding a charitable empire.
The work of cinematographer Gorka Gómez Andreu is chockablock with beautifully composed images. And Dell’Anna manages to convey a sense of Cabrini’s unshakable determination as well as a mysterious stateliness entirely free of self-importance. This fine portrait of the indefatigable foundress is worthy of her wide-ranging legacy — which is saying a great deal.
The film contains brief physical and gun violence, mature themes, including prostitution, and a single crass expression. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.
Also read:
Radio Interview: A producer of ‘Cabrini’ discusses what
Subject of a new film, Mother Cabrini left native Italy to serve U.S. immigrants
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Continue Reading Poland remembers the hour of the death of beloved pope as unifying moment
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Continue Reading Television Review: ‘Ludwig,’ streaming, BritBox
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While it began as an independent crowd-funded series, “The Chosen” has now become a global phenomenon as the most watched series in the world.
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Continue Reading ‘The Chosen’ Season Five sets the table for Holy Week
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Continue Reading Movie Review: ‘The Chosen: Last Supper – Part 1’
Movie Review: ‘A Working Man’
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The formula is an old, but by no means venerable, one in Hollywood. Give a character with a military background an excuse to put his calm civilian existence on hold temporarily and so unleash his slaying skills on a host of wrong-doers.
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