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Cristiana Dell’Anna stars in a scene from the movie "Cabrini." The OSV News classification is A-II -- adults and adolescents. The Motion Picture Association rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (OSV News photo/Angel Studios)

Movie Review: ‘Cabrini’

March 6, 2024
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews, Saints

NEW YORK (OSV News) – In 1946, less than 30 years after her death, aged 67, Mother Frances Xavier Cabrini was canonized by Pope Pius XII. Four years later, she was named the patron saint of immigrants. To judge by the luminous profile “Cabrini” (Angel Studios), however, she might just as easily be regarded as the patroness of the indomitable.

By combining visual craftsmanship with dramatic force and evoking a powerful performance from Cristiana Dell’Anna in the title role, director Alejandro Monteverde delivers a riveting retrospective. Despite the fact-based nature of the proceedings, moreover, Rod Barr’s script is infused with suspense simply because of the impossibly long odds its heroine repeatedly faces.

As the 1880s come to a close, the strong-willed superior is demonstrating her persistence by continuing to pester the Vatican for permission to achieve a cherished ambition. Despite chronic ill-health, she longs to bring the Lombardy-based missionary religious order she had helped to found at the beginning of the decade to China.

Exasperated by Cabrini’s tenacity, a cardinal tells her, “Stay where you belong, Mother.” Fat chance.

Fortunately, Pope Leo XIII (Giancarlo Giannini) proves more sympathetic. Instead of establishing an Asian mission, though, he directs Cabrini to minister to the impoverished Italian immigrants of New York City.

Thus Cabrini and a handful of her companions soon find themselves walking the mean streets of what was then Gotham’s most notorious slum, Five Points. Intent initially on reopening an abandoned orphanage in the area and later on building a hospital to serve the downtrodden community, Cabrini gets only tepid support from Archbishop Michael Corrigan (David Morse).

But she eventually gains more enthusiastic backing from New York Times reporter Theodore Calloway (Jeremy Bobb). Having been treated with respect and kindness by Cabrini, reformed local streetwalker Vittoria (Romana Maggiora Vergano) becomes both an avid fan and an active collaborator.

Cabrini has a powerful outright opponent in the Big Apple’s (fictional) Mayor Gould (John Lithgow), however. He embodies both the disdainful misogyny and rampant ethnic prejudice Cabrini had to overcome on her way to founding a charitable empire.

The work of cinematographer Gorka Gómez Andreu is chockablock with beautifully composed images. And Dell’Anna manages to convey a sense of Cabrini’s unshakable determination as well as a mysterious stateliness entirely free of self-importance. This fine portrait of the indefatigable foundress is worthy of her wide-ranging legacy — which is saying a great deal.

The film contains brief physical and gun violence, mature themes, including prostitution, and a single crass expression. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

Also read:
Radio Interview: A producer of ‘Cabrini’ discusses what

Subject of a new film, Mother Cabrini left native Italy to serve U.S. immigrants

Read More Movie & Television Reviews:

Movie Review: ‘Goat’

John Mulderig

February 27, 2026

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“Goat” (Sony) is an animated underdog sports comedy populated by anthropomorphized animals. While mostly inoffensive, and thus suitable for a wide audience — including teens and older kids — the film is also easily forgotten.

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Home viewing roundup: What’s available to stream and what’s on horizon

John Mulderig

February 25, 2026

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Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

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Russia’s war on Ukraine means ‘No Priests Left,’ documentary shows

Gina Christian

February 24, 2026

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The documentary initiative has resulted in several works examining Russia’s persecution of faith communities in occupied regions of Ukraine.

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Movie Review: ‘Midwinter Break’

John Mulderig

February 23, 2026

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The validity of faith is a major theme in the sensitive marital drama “Midwinter Break” (Focus). As adapted from co-writer Bernard MacLaverty’s 2017 novel by director Polly Findlay, the film is an exploration of how contrasting personalities and outlooks can serve either as a source of nuptial balance or of corrosive discord.

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A look at the Academy Awards Best Picture Nominees

John Mulderig

February 20, 2026

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This year’s Academy Award nominations were announced on Jan. 22. Following, in alphabetical order, are capsule reviews of the 10 films contending for Best Picture. The Oscars ceremony will take place in Los Angeles on Sunday, March 15.

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Movie Review: ‘The Strangers – Chapter 3’

John Mulderig

February 18, 2026

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“I need a Xanax!” declares a victim-in-waiting in the bloodsoaked slasher flick “The Strangers – Chapter 3” (Lionsgate). Moviegoers unwise enough to patronize the film may end up echoing that sentiment.

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