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Cristiana Dell’Anna stars in a scene from the movie "Cabrini." The OSV News classification is A-II -- adults and adolescents. The Motion Picture Association rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. (OSV News photo/Angel Studios)

Movie Review: ‘Cabrini’

March 6, 2024
By John Mulderig
OSV News
Filed Under: Movie & Television Reviews, Saints

NEW YORK (OSV News) – In 1946, less than 30 years after her death, aged 67, Mother Frances Xavier Cabrini was canonized by Pope Pius XII. Four years later, she was named the patron saint of immigrants. To judge by the luminous profile “Cabrini” (Angel Studios), however, she might just as easily be regarded as the patroness of the indomitable.

By combining visual craftsmanship with dramatic force and evoking a powerful performance from Cristiana Dell’Anna in the title role, director Alejandro Monteverde delivers a riveting retrospective. Despite the fact-based nature of the proceedings, moreover, Rod Barr’s script is infused with suspense simply because of the impossibly long odds its heroine repeatedly faces.

As the 1880s come to a close, the strong-willed superior is demonstrating her persistence by continuing to pester the Vatican for permission to achieve a cherished ambition. Despite chronic ill-health, she longs to bring the Lombardy-based missionary religious order she had helped to found at the beginning of the decade to China.

Exasperated by Cabrini’s tenacity, a cardinal tells her, “Stay where you belong, Mother.” Fat chance.

Fortunately, Pope Leo XIII (Giancarlo Giannini) proves more sympathetic. Instead of establishing an Asian mission, though, he directs Cabrini to minister to the impoverished Italian immigrants of New York City.

Thus Cabrini and a handful of her companions soon find themselves walking the mean streets of what was then Gotham’s most notorious slum, Five Points. Intent initially on reopening an abandoned orphanage in the area and later on building a hospital to serve the downtrodden community, Cabrini gets only tepid support from Archbishop Michael Corrigan (David Morse).

But she eventually gains more enthusiastic backing from New York Times reporter Theodore Calloway (Jeremy Bobb). Having been treated with respect and kindness by Cabrini, reformed local streetwalker Vittoria (Romana Maggiora Vergano) becomes both an avid fan and an active collaborator.

Cabrini has a powerful outright opponent in the Big Apple’s (fictional) Mayor Gould (John Lithgow), however. He embodies both the disdainful misogyny and rampant ethnic prejudice Cabrini had to overcome on her way to founding a charitable empire.

The work of cinematographer Gorka Gómez Andreu is chockablock with beautifully composed images. And Dell’Anna manages to convey a sense of Cabrini’s unshakable determination as well as a mysterious stateliness entirely free of self-importance. This fine portrait of the indefatigable foundress is worthy of her wide-ranging legacy — which is saying a great deal.

The film contains brief physical and gun violence, mature themes, including prostitution, and a single crass expression. The OSV News classification is A-II — adults and adolescents. The Motion Picture Association rating is PG-13 — parents strongly cautioned. Some material may be inappropriate for children under 13.

Also read:
Radio Interview: A producer of ‘Cabrini’ discusses what

Subject of a new film, Mother Cabrini left native Italy to serve U.S. immigrants

Read More Movie & Television Reviews:

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As a mystery in which no one is who they appear to be, the psychological horror film “The Housemaid” (Lionsgate) has a lot of entertaining suspense to offer viewers. Yet the movie is also a gory revenge fantasy that dabbles in grotesquery and sadistic behavior, thus severely circumscribing its appropriate audience.

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Catholic actor finds Christmas joy in helping U.S. charity

Carol Glatz

December 25, 2025

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With the Vatican’s Nativity scene and huge Christmas tree glittering in the Roman sun behind him, David Henrie reflected on the joy of giving during the Advent season.

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Home viewing roundup: What’s available to stream and what’s on horizon

John Mulderig

December 24, 2025

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Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

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Movie Review: ‘Avatar: Fire and Ash’

John Mulderig

December 19, 2025

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“Avatar: Fire and Ash” (20th Century), the third film in the always visually rich franchise that got its start in 2009, brings forward thematic elements that had previously been kept in the background and that viewers of faith will find it impossible to accept and difficult to dismiss. As a result, it requires careful evaluation by mature movie fans.

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Movie Review: ‘The SpongeBob Movie: Search for SquarePants’

John Mulderig

December 17, 2025

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True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.

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The Films of Rob Reiner

John Mulderig

December 16, 2025

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Having first gained fame for his role on the landmark CBS-TV sitcom “All in the Family” (1971-79) in which he played Archie Bunker’s Polish American son-in-law, Mike Stivic — whom the cranky bigot dubbed “Meathead” — Rob Reiner helmed his first film in 1984. His work crossed various genres and included a number of features now regarded as classics.

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