Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Two double lives provide the context for some good one-liners in the generally enjoyable espionage comedy “Back in Action” (Netflix). Unfortunately, however, the quality of the humor flags as the film’s plot progresses and some of the material viewers encounter along the way makes this production an apt choice for grown-ups only.

2024 is not likely to be remembered as an outstanding era in movie history. How many of the pictures released nationwide last year will stand the test of time remains open to question. Yet some quality productions were discernible as the months passed.

Will Gerard Butler’s unorthodox Los Angeles police detective Nicholas “Big Nick” O’Brien cross over to the dark side? That’s the question returning writer-director Christian Gudegast is hoping viewers will be asking themselves as his slow-paced, overly detailed heist sequel “Den of Thieves 2: Pantera” unfolds.

The buddy comedy “One of Them Days” (TriStar) certainly comes equipped with a high energy level. Its frenzied proceedings, however, are sometimes vulgar and ultimately prove wearisome.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Oregon, it can safely be said, features some of North America’s most scenic landscapes. In the tense, hard-edged horror film “Wolf Man,” however, the Beaver State’s natural beauty is contrasted with occult ugliness in a manner that only the sturdiest fans of the genre may find palatable.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Film buffs will easily recognize that the atmospheric horror yarn “Nosferatu” (Focus) is both a variation on and an homage to the eponymous 1922 silent genre classic helmed by F. W. Murnau. Unlike that foundational film, however, the newcomer is both artistically flawed and, ultimately, morally unbridled.

If nothing else, “Better Man” (Paramount), the biopic of British pop star Robbie Williams, avoids the familiar formula of show business sagas. Most fundamentally, that’s because Williams voices himself as a CGI chimpanzee.