The outstanding characteristic of the “Bad Boys” buddy cop movies has always been the sheer delight with which they depict violence. So when, after a two-film rampage over the turn of the millennium, the franchise fell quiescent for almost as long as Rip Van Winkle snoozed, it was a case of letting a sleeping cinematic dog lie.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

The fourth season of the Biblically-based television series “The Chosen” began streaming, Sunday, June 2. Although all eight episodes of the new season had been released in theaters beginning in February, streaming availability had been delayed — reportedly by legal disputes.

The world’s most famous lasagne-loving, Mondays-averse feline gets a third big-screen outing with “The Garfield Movie” (Columbia). Director Mark Dindal’s animated adaptation of cartoonist Jim Davis’ long-running comic strip is generally amiable and family-friendly. Yet it’s only fitfully amusing and feels disposable.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Taking a step back within its own chronology, the series now continues with an origin story for one of the main characters in the last outing, “Furiosa: A Mad Max Saga” (Warner Bros.).

Some games are no fun, like playing cat and mouse with homicidal maniacs. Such is the desperate fate that befalls the main characters in the penny dreadful “The Strangers: Chapter 1” (Lionsgate). Why moviegoers would want to bear witness to their meaningless ordeal, however, remains a mystery.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

As a columnist with a case for press credentials in the Catholic space and a close friend in public relations, I’ve attended a few movie premieres. But I had never been to a “Red Carpet” event until the one held for “Jesus Thirsts: The Miracle of the Eucharist,” a new limited theatrical release documentary.

John Krasinski wrote, directed and plays a prominent role in the generally wholesome fantasy “IF” (Paramount). Yet, while the good intentions behind his film are evident, it ends up registering as a sweet but flawed piece of entertainment, one that gets in its own way by trying too hard to be liked.