Ethan Hawke knows “Wildcat,” his film about the life and imagination of Southern writer Flannery O’Connor released May 3, is unlikely to attract general audiences. “It’s a difficult subject matter for a lot of people. They don’t know what to make out of it,” he said in a Q&A with media April 30. The film […]

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Screwball comedies showcasing couples verbally duking it out in the battle of the sexes comprised a significant and often winning subgenre during the Golden Age of Hollywood. Whether the sparring partners were Gary Cooper and Jean Arthur or William Powell and Carole Lombard, audiences were likely to enjoy every round.

A blending of historical facts and Southern gothic fiction proves unstable in the biographical and literary drama “Wildcat” (Oscilloscope). As a result, director and co-writer Ethan Hawke achieves only mixed results as he seeks to introduce viewers to the life and works of Catholic author Flannery O’Connor.

Behind “We Grown Now” (Sony Pictures Classics), a drama influenced by real-life events, looms the 1992 murder of 7-year-old Dantrell Davis in Chicago’s Cabrini-Green public housing project. The crime had far-reaching consequences.

Director and co-writer Guy Ritchie’s adaptation of Damien Lewis’ 2014 history “Churchill’s Secret Warriors” showcases some clever ruses and innovative, spur-of-the-moment thinking on the part of the U.K.’s Special Operations Executive (SOE). But the mission on which the main characters embark also involves the enthusiastic slaughter of extras by the dozen.

Intense and erotically charged, the psychological drama “Challengers” (Amazon MGM) is, in a word, challenging. Yet, while it trespasses into territory many may not wish to visit, the serious artistic intent behind the production redeems some of its excesses, though only for a small group of mature moviegoers.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Moviegoers tempted by a title like “Godzilla x Kong: The New Empire” (Warner Bros.) are presumably not in search of Shakespearian levels of dramatic insight. Even so, the disparity between the reasonably impressive special effects on offer in the film and its low-grade human interaction remains noticeable.

This humorous spin on the genre features a clever premise and often witty dialogue. Yet any amusement to be derived from it is drowned in a flood of needless bloodletting.