What’s on the cards for viewers of the horror flick “Tarot” (Screen Gems)? As it turns out, not much. While the bloodletting on display in this inept production is relatively restrained, the characters are cardboard and the mythos explaining their bedevilment lame.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Catholic Review Editor Christopher Gunty talks with Frank and Mary Frost, producers of “Teilhard: Visionary Scientist,” a documentary about Jesuit scientist Pierre Teilhard de Chardin, who was part of the crew that discovered Peking Man and whose explorations in science and spirituality continue to inspire today.

The values promoted in Josh Friedman’s script are certainly on target. And it’s easy to root for youthful Noa and his allies. Yet the pace is slow and there’s a lumbering feel to the proceedings.

Ethan Hawke knows “Wildcat,” his film about the life and imagination of Southern writer Flannery O’Connor released May 3, is unlikely to attract general audiences. “It’s a difficult subject matter for a lot of people. They don’t know what to make out of it,” he said in a Q&A with media April 30. The film […]

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television as well as notes on TV programming for the same week.

Screwball comedies showcasing couples verbally duking it out in the battle of the sexes comprised a significant and often winning subgenre during the Golden Age of Hollywood. Whether the sparring partners were Gary Cooper and Jean Arthur or William Powell and Carole Lombard, audiences were likely to enjoy every round.

A blending of historical facts and Southern gothic fiction proves unstable in the biographical and literary drama “Wildcat” (Oscilloscope). As a result, director and co-writer Ethan Hawke achieves only mixed results as he seeks to introduce viewers to the life and works of Catholic author Flannery O’Connor.

Behind “We Grown Now” (Sony Pictures Classics), a drama influenced by real-life events, looms the 1992 murder of 7-year-old Dantrell Davis in Chicago’s Cabrini-Green public housing project. The crime had far-reaching consequences.

Director and co-writer Guy Ritchie’s adaptation of Damien Lewis’ 2014 history “Churchill’s Secret Warriors” showcases some clever ruses and innovative, spur-of-the-moment thinking on the part of the U.K.’s Special Operations Executive (SOE). But the mission on which the main characters embark also involves the enthusiastic slaughter of extras by the dozen.