At what is meant to be a poignant moment in the DC Comics adaptation “Supergirl” (Warner Bros.), the title character, played by Milly Alcock, is told by her mother (Emily Beecham) that she doesn’t have to be nice but she must be good. The recipient of this advice takes it to heart in a way that lends the whole film an unpleasant tone.

A deservedly much-loved animated series gets a touching extension with the arrival of “Toy Story 5” (Disney). The franchise’s hallmark combination of sunny humor and emotional intelligence continues to make for outstanding entertainment, this time under the direction of co-writer Andrew Stanton.

The truth is out there, and director Steven Spielberg ultimately intends to tell you all about it with his grandiose, vaguely paranoid fantasy “Disclosure Day” (Universal).

A torrent of degraded sexual jokes overwhelms the few successful one-liners in “Scary Movie” (Paramount), a slipshod send-up of recent horror films and various other aspects of pop culture.

Given that the franchise it extends dates back to the 1982 release of a Mattel line of action toys and that its protagonist’s moniker, when in superhero mode, is He-Man, sensible viewers will not approach the adventure “Masters of the Universe” (Amazon MGM) expecting brilliant insights into the human condition.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of June 21, as well as notes on TV programming for the same week.

“Backrooms” (A24) is that rarity among contemporary horror films, an intelligent and unsettling psychological study that doesn’t substitute wallowing in blood for the work of evoking real chills. While the movie is mostly free of graphic imagery, however, it does include some briefly intense mayhem.

Capsule reviews of theatrical movies available now for streaming or scheduled for broadcast on network or cable television during the week of June 14, as well as notes on TV programming for the same week.

As America’s Catholic bishops prepare to mark the semiquincentennial by consecrating the nation to the Sacred Heart of Jesus, a French docudrama that can aid viewers in understanding the full significance of such an action makes its timely appearance.

Nate Bargatze, best known for his stand-up work, co-wrote and stars in the domestic comedy “The Breadwinner” (Sony). Although mostly wholesome, the film is also, unfortunately, sorely lacking in laughs.