A pilgrimage to Lourdes provides the framework for the tender drama “The Miracle Club” (Sony Classics).

Hollywood has decided that Asian American women deserve their very own raunchy road movie. And so viewers are invited along for “Joy Ride” (Lionsgate). They’d do well to skip the trip.

The latest title in a franchise that’s been going strong since 1997, “Diablo IV” (Blizzard) sees an epic confrontation between a rogue angel and a fugitive demon, with the fate of humanity hanging in the balance.

In theory, the tale of a shy but enthusiastic high schooler who is really a sea creature rather than a human might make for a pleasant diversion. But the major feminist and minor gay agendas that underlie the animated adventure “Ruby Gillman, Teenage Kraken” (Universal) spoil any potential fun the film might offer.

The story of Ballard’s battle against the sexual enslavement of kids — a horrifying form of depravity that’s disturbingly widespread — makes for a valuable and ultimately uplifting experience.

A new film starring Jim Caviezel aims to move millions to end the scourge of child trafficking.

In the often-raunchy comedy “No Hard Feelings” (Sony) star Jennifer Lawrence plays a woman who agrees to sell her body for a Buick.

“The Blackening” (Lionsgate) is a brilliant comic riff on what constitutes authentic African American identity.

A fundamental message about accepting both the good and bad that befall us is mixed up with ingredients that make this a doubtful proposition for the teens at whom, along with grown-ups, the movie is presumably aimed.

Thanks to its rich blend of ethnicities, the United States has long been referred to as a melting pot. In the animated romantic comedy “Elemental” (Disney), director Peter Sohn substitutes for that metaphor a fable featuring embodiments of the four elements, using the dynamics of their imaginary world to explore the immigrant experience.