“Hotel Transylvania: Transformania” — the fourth installment in the animated franchise, primarily populated by iconic figures from classic horror films, that kicked off in 2012 — conceals no threatening fangs. In fact, it suffers from the opposite problem; it lacks bite.

Who needs one James Bond when you can have five Jane Bonds? That’s the premise behind “The 355” (Universal), an entertaining thriller featuring a quintet of lady spies.

Cheerful as a dance floor boot scoot and livelier than a touchdown drive, the sports-themed, faith-tinged biopic “American Underdog” (Lionsgate) goes light on matters of religion, focusing instead on the steep challenge of building a career in the NFL.

“Sing 2” (Universal), writer-director Garth Jennings’ follow-up to his 2016 animated musical comedy, finds that film’s ensemble of animal entertainers aiming for the big time.

If St. Joseph had played football, Matt Birk is convinced he would have been an offensive lineman. Birk, himself a former center for the Baltimore Ravens, said the saint is all about protecting Mary and Jesus.

You wouldn’t care to spend the rest of your life floating unconscious in a pod full of goo, would you? Well, neither would Keanu Reeves, and so we get “The Matrix Resurrections” (Warner Bros.), the fourth film in the blockbuster sci-fi series that first hit screens way back in 1999.

John Mulderig, assistant director for media reviews and visual media for Catholic News Service, gives us his insights and recommendations for best Christmas movies that help inspire us to faith and virtue. He shares the lessons we learn from them that can be shared with our families.

Action, humor and drama are skillfully combined in “Spider-Man: No Way Home” (Columbia), the lavish final installment of a trilogy of films starring Tom Holland as the Marvel Comics superhero.

The set of “I Love Lucy” was a toxic workplace. At least, that’s how it’s portrayed in writer-director Aaron Sorkin’s biographical drama “Being the Ricardos” (Amazon).

The title “Nightmare Alley” (Searchlight) at least gives moviegoers fair warning of what awaits them in director and co-writer Guillermo del Toro’s noir-inspired screen version of William Lindsay Gresham’s 1946 novel, scripted with Kim Morgan.