What do you get when you combine composer Leonard Bernstein, lyricist Stephen Sondheim, playwright Arthur Laurents and choreographer Jerome Robbins, then throw director Steven Spielberg and screenwriter Tony Kushner into the mix?

In 2002, director Paul W. S. Anderson presided over the first big-screen adaptation of the zombie-themed videogame series “Resident Evil.”

Will viewers be charmed by “Encanto” (Disney)? For the most part, the answer is probably yes, though this vivacious animated musical does include content that could be of concern for the parents of impressionable kids.

In 1969, as the wider world focused on such events as Apollo 11’s mission to the Moon, long-simmering sectarian tensions in Northern Ireland boiled over, initiating a period of religious and political strife, known as the Troubles, that would last for the next 30 years.

This adaptation of a series of children’s books by Norman Bridwell, the first of which was published in 1963, is silly but mostly harmless.

It may have been author Peter De Vries rather than baseball great Yogi Berra who first observed that “nostalgia ain’t what it used to be.”

A mixed bag, both ethically and cinematically, director and co-writer Chloé Zhao’s Marvel Comics adaptation “Eternals” (Disney) is presented on an undeniably large scale.

An intriguing but largely forgotten historical incident is skillfully recounted in the documentary “A Samurai in the Vatican.”

There are many knights but not much shining armor in the grim historical drama “The Last Duel” (20th Century).

Charming and uplifting, “The Oratorio” recounts the efforts of those who help to run the 200-year-old St. Patrick’s, along with others, to remember and recreate a largely forgotten operatic performance that took place there June 22, 1826 — and that represented a milestone in the cultural history of New York City.