Visually stunning, the new feature — directed by Elaine Bogan with co-director Ennio Torresan Jr. — is also family-friendly. It can, accordingly, be recommended for all but small fry, who might find its action scenes too frightening.

Adults who want nothing more than to watch two gifted actresses camp it up will likely be satisfied with director Craig Gillespie’s glossy romp “Cruella” (Disney). Parents on the lookout for safe family fare, not so much.

This movie is an intelligent, if flawed, thriller suitable for a broad audience of grown-ups.

In adapting his script partner Alan Zweibel’s short story “The Prize” into the seriocomedy “Here Today,” director and co-writer Billy Crystal sets out to blend breezy humor with poignant drama. Unfortunately, the film falls flat in both respects.

The tedious sci-fi parable “Voyagers” (Lionsgate) seems designed to prove that in space, no one can hear you yawn.

The feature film “The Way Back,” a documentary on Father Patrick Peyton, and a Christmas special featuring Dolly Parton were among this year’s Christopher Award winners.

Award-winning documentarian Evgeny Afineevsky issues a call for action with his film “Francesco.”

John Mulderig of Catholic News Service and Daughter of St. Paul Sister Rose Pacatte talk about about how the pandemic affected moviegoing in 2020 and also give their expert takes on each of the nominees for Best Picture at the upcoming Oscars.

MacLowry and Strain, moreover, can be commended for refusing to ignore the unpleasant aspects of Baum’s character, traits that don’t easily square with viewers’ preconceptions concerning the author of a beloved text.

Allyn and Loeb’s treatment of one of the most controverted political topics in recent history emerges as more ambitious and earnest than successful.