John Mulderig

The relationship that writer-director Sofia Coppola’s screen version of Priscilla Presley’s 1985 memoir “Elvis and Me” charts is a strange mix of the respectable and the unsavory.

Attentive viewers will discern some positive moral values underlying the plot of the action comedy “Freelance” (Relativity).

– A warmhearted profile of a pioneering Indigenous American sports figure is provided in filmmakers Jonathan Cipiti and Megan Harrington’s documentary “Native Ball: Legacy of a Trailblazer.”

A child-abduction theme lends a dark undertone to the turbid horror film “Five Nights at Freddy’s.”

Small-time retail investors take on some of the titans of Wall Street in the wry fact-based blend of comedy and drama “Dumb Money” (Sony). Although the David vs. Goliath aspect of director Craig Gillespie’s film is appealing, the relentless vulgarity of its dialogue gives his retrospective a hard edge and renders it acceptable for few.

Although the horror sequel “The Exorcist: Believer” (Universal) gets off to a reasonably promising start, it degenerates quickly. It ends up being a muddle both dramatically and, more significantly, in its treatment of religion.

A decade after premiering on Nickelodeon and two years out from their film debut, the titular group of canine first responders, led by a preteen boy called Ryder (voice of Finn Lee-Epp), returns for another round of derring-do and some fresh life lessons.

With “Expend4bles” (Lionsgate), director Scott Waugh extends a franchise that dates back to 2010 and that has always been fueled by mindless machismo. The latest blood-soaked entry in the series maintains that lunkheaded outlook.